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The Expecting Goodness Short Film Festival provides opportunities for
building a film community between amateurs and professionals in the
Upstate South Carolina region. Through community gatherings, workshops,
lectures, and the concluding film festival during which the completed
films will be screened and awarded prizes, the project's mission is to
generate enthusiasm for film, educate the community on numerous aspects
of the industry, and celebrate the literature and film of our great
region.
Expecting Goodness is a collection of twenty Southern short stories by both established and
up-and-coming authors who remarkably share the same hometown of Spartanburg, SC. The collection, edited by long-time fiction editor of The Atlantic magazine C. Michael Curtis, is the inspiration for the film festival, the first of its kind in Spartanburg.
Seven filmmakers will each use a different story from the collection as inspiration for a 5-10 minute short film that will then be shown on the Festival night, March 24, at The Showroom.
Project schedule:
January 11, 2012 at Midnight: Registration deadline
January 14, 2012 at 7pm: Launch Nite
January 28, 2012 from 5-9pm: Film Fan Night
Location: The Showroom
This evening will bring together filmmakers,
producers, actors, screenwriters, and all involved or interested in
filmmaking in the region. It's one grand networking night and
opportunity to make connections for filmmakers involved in the Expecting
Goodness Short Film Festival and beyond. From
5-7pm, the public is welcome to meet many of the filmmakers taking part
in the festival and even sign up to help on a film. From
7-9pm, the public is invited to learn about the film industry from area
professionals, including screenwriting, starring in a film, applying to
film school, the history of film, and more.
February 4, 2012 from 11am-5pm: Heroic (re)Production community film workshop
Location: Steve's studio above The Showroom
In
this workshop participants will reproduce an exciting and engaging
scene from hero-movie history, while learning the production side of
creating moving images. Skills will be covered in lighting, audio, and
camera work with ample opportunities for heroic acting. This will be a
day-long workshop, so come for an hour and learn one aspect of the
production or stay all day and learn them all. At the end of the
workshop, a video will be cut of all scenes recorded throughout the day
of the various acting heroes. It should be pretty interesting and
heroically fun.
March 24, 2012 at 7pm: Expecting Goodness Short Film Festival
Location: The Showroom
$5 entry at the door. Details to come!
Cash awards will be given in the following categories:
- Audience Favorite ($500)
- Best Film (Juried) ($500)
- Best Editing (Juried) ($250)
- Best Actor/Acress (Juried) ($250)
- Best Cinematography (Juried) ($250
Meet our judges:
Peter
Caster is a professor of literature and film at the University of South
Carolina-Upstate. He is the author of Prisons,
Race, and Masculinity in Twentieth-Century US Literature and Film, as well
as articles published in English Language
Notes, The Drama Review, and
other journals.
Ray
Merlock is a professor at the University of South Carolina-Upstate and
teaches Communications-Journalism courses in the areas of film, electronic and
print media. A longtime movie reviewer, he includes among his scholarly
interests the western film and various western stars such as Clint Eastwood,
Gene Autry, and John Wayne. Dr. Merlock is a well-known speaker and interview
subject regarding popular media and popular culture.
Jeff Sumerel has been a long-time supporter and advocate of local and regional film production. He
was a member of the Governor’s Task Force for developing the S.C. Film
Tax Incentive, and has been a judge or guest artist at Filmkunstfest in
Schwerin Germany, the International Public Television Conference in
Warsaw, Poland, the Utah Film & Video Festival, Center for Puppetry
Arts, Atlanta, and the SC Society for Philosophy, among other
organizations. His recent documentary, TO
MY GREAT CHAGRIN, was selected, and premiered, in NYC at the Opening
Night of The Museum of Modern Art's Fortnight Documentary Series.
The Filmmakers:
Porter Blackman, filmmaker of Norman Powers's "A Touch of Blue" (on the HUB-BUB Blog)
Porter Blackman attended Spartanburg public school through the sixth grade, when he left to attend schools in the Northeast. It was during junior high school and high school when he realized he had a passion for visual arts and filmmaking. He originally went to the College of Santa Fe to study film but graduated with a BA in Psychology and a minor in Studio Art. Studying psychology has given him a good understanding of human personalities and behaviors, which helps him with his storytelling.
Andrew Doughman, filmmaker of Michel Stone's "Expecting Goodness" (on the HUB-BUB Blog)
Andrew Doughman is a journalist at the Spartanburg Herald-Journal, where
he covers religion and health. He grew up in Seattle, where he enjoyed
hiking up snowy mountains, guzzling coffee, gallivanting across lakes in
kayaks and other stereotypical Northwest activities. Because it's
rumored to rain all the time in Seattle, he also enjoys indoor
activities like reading and writing.
Abe Duenas, filmmaker of Kathryn Brackett's "Girl Talk"
Abe Duenas is a seasoned short filmmaker. Abe has written and directed
10 short films and many more commercials. He has recently made his mark
in South Carolina, receiving a grant from the SC film Comission to
produce his film "The Lot" in 2011.
Adam T. Gordon, filmmaker of Susan Tekulve's "The Nipper"
Adam T. Gordon is from Gaffney, SC. He is 25 years old and he has a
passion for photography. Growing up he used to reenact entire movies
with his cousins; making their own props and small sets. Adam is
currently working with USC Upstate's ASUN.TV as a cameraman.
Jason Kruczynski, filmmaker of Jeremey Jones's "Where is William, Now?"
A former resident of Brooklyn who grew up in GA and considers Oslo his
favorite town in the world, Jay is a curious soul trying to find the
best in every situation. He enjoys being involved in music, art, and
of course travel.
Wade Sellers, filmmaker of Lou Dischler's "Lola's Prayer"
Wade had the same kind of childhood so many other filmmakers have had-
parents had a 8mm camera- spent his allowance at K-Mart on film- invited
all of his friends over to the house on Saturday to make a movie. While
attending music school and working as a delivery boy in Atlanta, he was
walking downtown on a delivery and saw huge lights, and semi trucks- he
thought he'd take a look (if you have a box of office supplies, you can
get in anywhere). He began working in the film biz carrying heavy
equipment from one place then taking it back to the other place about 17
years ago. He has produced and directed 10 short films of his
own and shot many other features and short films for other filmmakers
over the past 15 years. He currently lives in Columbia, SC and owns Coal
Powered Filmworks.
Chris White, filmmaker of Thomas McConnell's "A Proof for Roxanna"
Chris White hand-makes nano-budget, artistically ambitious films for
friends. Trained as a theatre artist and screenwriter, Chris aims for
Criterion Collection quality through an organic, improvisational
process. Chris lives in the Upstate of South Carolina (USA) with his
wife and writing partner, Emily, and three children: Gibson, Whitaker,
and Harriet.
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